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How come? Stairs make weird echos
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If you've ever heard the doubled sound of your own footsteps in a long,
empty hallway, you're familiar with echoes. Like an undeliverable letter, an
echo is sound returned to sender.
Echoes are sound waves that bounce back at us from a hard surface. When you
shout into a cave, you often hear your own voice a split second later.
That's because the hard stone walls reflect sound waves back, like light
reflecting from a mirror. Instead of seeing yourself, as in a mirror, you
hear yourself, making an echo chamber a kind of ear mirror.
For the clearest echoes, a sound-reflecting surface should be flat, smooth,
and perpendicular to the ground. Sound travels through sea-level air at
about 1,100 feet per second. Stand too close to the echo-making surface, and
the sound you make will shoot back too quickly, overlapping your original
words or clap or musical note.
Then there are stranger echoes. Clap your hands near a wooden staircase and
you may hear a drawn-out clap in response, its frequency dropping over time.
Scientists call it the "picket-fence effect," since a long picket fence can
produce the same odd echo.
How does it work? Physicist Jearl Walker, of Cleveland State University,
suggests picturing a staircase from the side. When the sound waves from your
clapping hands strike the stairs, waves reflect from the risers of the
steps. But since each step is set behind the next, pulses from higher steps
take a fraction of a second longer to return to you than those from lower
steps.
Your ears perceive the widening gap between the "stepped" sound pulses as a
gradually dropping tone. So what you hear, over less than a second, is a
single, prolonged, almost musical echo. (Something similar happens with a
picket fence; think of the fence as a vertical staircase.)
A famous example of the effect can be heard at the ancient Mayan Temple of
Kukulkán in Mexico. Clap your hands at the bottom of the pyramid's 92 stone
steps, and you'll hear a chirping echo.
To acoustics expert David Lubman, the chirps sounded eerily like those of
the quetzal, a brilliantly colored bird, whose 2-foot-long tail feathers
once adorned Mayan helmets.
Named after the serpent god Kukulkán, the temple displays a kind of homage
to the god around the time of the spring and fall equinoxes. During those
days, a shaft of sunlight creeps along the side of the pyramid. Triangles of
light and shadow appear, stretching from a giant stone serpent's head at the
bottom to the top of the pyramid, creating a serpentine body.
In one Mayan stone carving, the god Kukulkán is accompanied by a huge
quetzal. Lubman suggests that the stairs' chirping echoes add a kind of
sound track to the temple, the voice of the bird thought to be the messenger
of the gods.
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