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Mexico hopes for another international hit with soccer drama 'Rudo Y Cursi'
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In recent years, Mexican cinema has grown hot on the international movie
scene.
Directors Alfonso Cuarón, Guillermo del Toro and Alejandro González Iñárritu
have made a series of critical and box office hits. And young actors Gael
Garcia Bernal and Diego Luna have emerged as international stars since the
release of the hit 2001 Mexican film “Y Tu Mama También.”
Bernal and Luna have teamed up again with the Spanish-language
dramatic-comedy “Rudo Y Cursi,” which is scheduled to open Friday in the
Central Valley.
The film was written and directed by Carlos Cuarón, who wrote the screenplay
for “Y Tu Mama También” and is the brother of Alfonso Cuarón, who
co-produced “Rudo Y Cursi” with del Toro and Iñárritu.
“Rudo Y Cursi” tells the story of two half-brothers who are discovered by an
unscrupulous soccer scout and then find fame and fortune in sprawling and
imposing Mexico City.
Full of biting humor about corruption in Mexico City’s professional soccer
ranks, the film also tells a moving story of the relationship between the
often-battling brothers, played by Bernal and Luna.
We caught up with the 42-year-old Cuarón for a phone interview about the
movie, working with Bernal and Luna and the growing stature of Mexican
cinema on the international movie scene.
Question: You mentioned [in a book about “Rudo Y Cursi”] that, originally,
your idea was to have only one character. But later you transformed him into
two because both Gael Garcia Bernal and Diego Luna wanted to be in the
movie. Is that true?
Q: There is great chemistry between Garcia and Luna. What makes them special
together?
A: The chemistry between them is unmatched. When they are together, they are
like a third entity. They create magic.
Q: Why is the character “Batuta” — the agent who goes around the Mexican
countryside “discovering” young soccer talents to bring them to professional
teams in Mexico City — an Argentine?
A: Argentines are part of our social landscape in Mexico. We received a
large number of Argentine refugees during the military junta in Argentina
(1976-1982) and then during the deep financial crisis of 2002. And we have
lot of Argentines involved in soccer: players, coaches, and agents like
Batuta.
Q: There is a constant “duality” in the movie.
A: Yes, I planned it that way. Even the title. It’s a balance between two
poles, attraction and rejection.
Q: And in the end, after all the characters endure, do they learn anything?
A: Yes, they learn to recognize themselves. They accept each other now.
Q: Mexican cinema is getting better. Do you think it will continue?
A: Yes. There are great directors — my brother, Alfonso Cuaron (“Y Tu Mama
También,” “Harry Potter and the Prisoner of Azkaban” and “Children of Men”),
Guillermo del Toro (“The Devil’s Backbone” and “Pan’s Labyrinth”) and
Alejandro González Iñárritu (“Amores Perros,” “Babel” and “21 Grams”). We
also have excellent actors and actresses.
Q: Is the current swine flu crisis in Mexico affecting the movie industry?
A: Well, people are not going to the movies now, and this hurts the
industry.
Q: What are your plans for the future?
A: Now I am promoting “Rudo Y Cursi” in the states. Then I am planning to
rest.
Eduardo Stanley is the editor
of El Sol, the Spanish-language weekly of the Times-Delta and
Advance-Register.
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